Taste skills for AI coding agents.

Grid discipline, restrained palette, precision

Layered translucency, gentle gradients

Tasteful, versatile default upgrade

Raw borders, mono, hard shadows

Rounded, saturated, bouncy motion

Muted palette, hairlines, wide-tracked serifs

Modular tiles, tonal color blocks, one generous radius

Primary colors, circles and squares, geometric type

Two-ink overprint, grain, slightly off-register

Cut paper, tape and stickers on warm card stock

Leaf greens, a warm serif, soft organic shapes

Linen and clay neutrals, calm space, quiet craft

Trustworthy navy, crisp figures, clear money signals

Calm, dense, accessible admin UI

Marker sketches, wobbly lines, one highlighter

Black, white and grey only, inverse blocks, big grotesk

Terracotta and sea blue, arches, sun-washed warmth

Calm teal, clear hierarchy, reassuring and accessible

Scholarly serif, footnotes, numbered figures

Chrome, iridescence and bubble shapes

Feature tiles that fly in and lock

Founder stories on warm paper

Springy stickers and bright fields

Charts that grow to the claim

Poster cards with one cobalt block

Typeset quotes on cream paper

One claim, one chunky chart

Two inks that overprint

Layered paper illustrations

One claim per slide, evidence beneath

Marker drawings on yellow paper

Lessons in bright rounded blocks

Action titles and numbered exhibits

A deck that reads like a magazine

Frosted cards over a soft sky

Apps on devices in a studio

Explainers that draw themselves

Frosted glass over slow color

Swiss grid films in red and black

Calm films paced by one breath

Brutalist protest posters

Event cards as printed tickets

Engraved botanical plates

Pastel shapes with hard shadows

Your news as page one

Exposed frames, heavy claims

One color field per slide

Research talks set like a journal

Swiss slides on a visible grid

Two inks overprinting on cream

Explainers in a built isometric world

Films as magazine spreads

Red, yellow and blue shapes in motion

Y2K chrome and bubble UI

Launch films as comic panels

A route drawing itself on a map

Black on white, one line at a time

Images as engraved stamps

Small-batch product labels

Jersey numerals and team colors

Strips with speech balloons

Primary geometry posters

Y2K chrome lettering cards

Drawn maps with one route

Typed index cards

Workshop-poster slides

One quiet sentence per slide

Every slide a bento grid

Chart-led board and annual decks

Pastel cards with hard shadows

Pitches as storyboard sheets

A naturalist's field notebook

Y2K chrome pitch decks

Calm document and wiki apps

Dense grids for power users

One-bit 1984 desktop UI

Solarpunk optimism, sunlit and green

Pastel blocks, borders, hard shadows

Puffy clay surfaces in candy colors

Developer docs done right

Hardware panels, knobs and readouts

Map-first apps

Scenes that fold like paper

Instant photos, taped and captioned

Technical data-sheet cards

Cut-and-paste photocopy slides

Isometric explainer slides

Accessible public-service design

Bold retail grids and price tags

1970s warmth and stripe bands

Nordic calm in slate and birch

Cute but competent app UI

Kraft, plywood and shop drawings

Editorial travel with drawn routes

1970s stripes and wavy type

1970s stripe cards

Cute cards with a mascot

Tile-mosaic cards

1970s slides with stripe bands

Plain-language public reports

Exhibition slides on white walls

Wax-crayon learning UI — soft primaries, big targets, gold stars that are earned

Graph paper, graphite and one blue ink — every number shows its working

The accounting ledger made modern, in bottle green and red ink

Comic-book UI with inked panels, halftone and speech balloons

Folded-paper UI with crisp corners, crease shading and paper planes

Plaster, speckled stone and arches, with terracotta for every action

Typed sheets, ruled index cards, red-pencil corrections and rubber-stamp statuses

Waxy crayon drawings that draw themselves on, then get coloured in

Paper stop-motion: cut shapes step onto a kraft board, twelve holds a second

A plaster wall whose tiles turn over to spell each scene

Typewriter films: lines strike on, the carriage returns, tape fixes the typo

Kids' drawing cards: crayon-textured letters, a sun, grass and one gold star

Green-bar ledger cards with tabular figures, red negatives and a double-ruled total

Vintage seed-packet cards with a drawn plant, a scalloped label and planting facts

Material-board cards: speckled terrazzo arches on warm plaster

Classroom slides drawn in wax crayon, with gold-star callouts

Engineering-notebook slides on graph paper, working shown in blue ink

Account-book slides with green-bar tables and red negatives

Typed-memo slides with a red correction pen and rubber stamps

Plaster-wall slides with terrazzo arches and terracotta keys

1980s Milan for software: outlined shapes, flat candy fills and a calm app underneath

Airport signage as UI: pictograms, arrows and yellow on black, read at walking pace

Mid-2000s optimism: glossy sky blue, grass green, bubbles and glass you can read

The 1990s desktop as a real interface: bevels, title bars, dialogs and pixel icons

Wood type pressed into cotton stock, two spot inks, printer's rules and crop marks

Mid-century cream, tomato, teal and mustard, script headlines, starbursts and orbits

A launch film on a 1990s desktop: windows pop, a pixel cursor drags and clicks

A 1950s atomic-age ad reel: spinning starbursts, boomerangs and a TV set

A print shop film: wood type locks up, the platen presses, two inks bite in

Glossy sky, rising bubbles and glass panels that carry the product

1950s atomic-age cards: starbursts, boomerangs and one tomato word

Glossy sky-and-grass cards with frosted glass, bubbles and a glass globe

Nineties-desktop slides with bevelled windows, dialog boxes and progress-bar metrics

Cotton-paper slides in two spot inks, wood type, printer's ornaments and crop marks

1950s atomic-age slides: mustard starbursts, teal orbits, a tomato word

Memphis Group slides: outlined shapes, squiggles and cards on coloured blocks

Flat blocks of Prussian blue and vermilion on washi, every shape held by a sumi keyline

Whiplash stems in a bronze line, arched panels and a petal halo on sage, plum and cream

Red, black and buff paper, one hard diagonal, a great red circle and towering condensed caps

Cottage-kitchen cream, tomato and sage, gingham cloths, scalloped hems and stitched cards

Navy and signal red on sailcloth, chart neat-lines, rope, compass roses and flag blocks

Packing and shipping as an interface: kraft board, label stock, tape and stamps

Heraldry as an interface: flat tinctures, invented shields, chiefs and ribbons

Pure black on white, every tone dithered, every rule one pixel

A woodblock film: colour blocks slide onto washi one at a time and a red seal signs it

An Art Nouveau film: whiplash vines grow, arched panels open, a halo frames the name

An avant-garde poster film: red and black bars slam in on hard diagonals, words swing in

An ink film: brush strokes sweep on, wet edges bleed, one vermilion seal signs it

A 1-bit film: black and white, every tone dithered, windows that redraw frame by frame

Cottage-kitchen cards: tomato gingham, a scalloped cream card and a butter jam label

Shipping-label cards on kraft board: stencil type, packing tape and one orange stamp

Avant-garde poster cards in paper, black and red, cut on hard diagonals

Maritime cards on sailcloth: a brass rope, a compass rose and invented flag blocks

Woodblock-print slides: flat indigo and vermilion on washi, keylines, cartouches and a seal

Arched-panel slides with whiplash vines, botanical borders and sage, ochre and plum on cream

Coat-of-arms slides: invented crests, flat tinctures, quartered fields, ribbons and titling caps

Parcel slides: shipping labels on kraft board, tape, stamps and one safety orange

Pure 1-bit slides: black and white only, dithered charts, bitmap type and pixel icons

Avant-garde poster slides: paper, black and one red, discs and beams on one diagonal

Carved black linework and one vermilion ink on rag paper, pulled by hand

A pieced quilt of prints and solids, stitched and bound, with every word on a solid patch

Glazed star tilework, horseshoe arches and calm plaster for riads, studios and travel

Sand, adobe blocks and drawn mesas at sunrise for outdoor, travel and solar brands

1960s mission control — orange fields, navy screens, a patch for every flight

Painted tulips, facing birds and a heart vase on cream, in four flat paints

Catalog cards on oak, a green lamp, brass rails and quiet ruled lists

A linocut film: lines are cut gouge by gouge, a brayer rolls green and titles lift off

A mission-control film: the clock hits zero, telemetry ticks, the arc draws into orbit

A quilt film: fabric patches stitch on, a running stitch sews each claim, binding wraps it

Relief-print cards: a carved black block, one vermilion ink and uneven, speckled solids

Glazed star tiles to every edge and one arched plaster niche that holds the words

Desert poster cards: layered mesas, a low terracotta sun and a sturdy slab headline

Painted folk cards: mirrored tulips, facing birds and heart corners on buttermilk cream

Star-tile borders, horseshoe doors and plaster panels in cobalt, emerald and saffron

Desert slides with mesa horizons, a sun disc and charts drawn as strata

Mission-control slides that count down from T−2 to the go you are asking for

Quilt slides: prints and solids pieced in a grid, every word stitched onto a solid

Big-top stripes, marquee bulbs and ticket stubs for events, fairs and box offices

Khaki canvas, specimen tags and a compass in line for outdoor, travel and field teams

Double-ruled cream labels and amber glass for skincare, tea, candle and herbal shops

Square sleeves in one bold block colour, a drawn disc peeking out and side A/B lists

Swelling checkers, warped stripes and one cobalt disc on a gallery-white wall

Soft washes that dry with a hard edge, painted beside every word on clean paper

Black-figure vessels on terracotta, Greek key borders and carved Roman capitals

A circus film: the canvas fans open, marquee bulbs chase, the product rises from a drum

An op-art film: rings and stripe fields morph slowly, every word cut through on a band

A vinyl film: the sleeve slides out, the record spins up, the tonearm drops

A watercolour film: washes bloom wet-on-wet, dry to hard edges, words sit on clean paper

An expedition film: the journal opens, the route draws, stamps land, tags swing in

Big-top poster cards: red and cream stripes, a bulb-lit marquee board and a Tuscan title

Square-sleeve release cards: bold colour blocks, drawn rings and the vinyl sliding out

Marble and terracotta cards: Roman capitals, a running meander and one black-figure vessel

Moiré rings, warped stripes and swelling checks with one vermilion shape and a solid band

Field-journal cards: khaki canvas, a specimen tag on a string, compass and date stamp

Field-journal slides: specimen tags, a drawn route map and one red date stamp

Label slides: cream labels with double rules on amber and green bottle glass

Painted slides: soft pigment washes on paper, words kept on the clean side

Marble and terracotta slides with Greek-key friezes, fluted rules and carved capitals

Big-top slides: striped awnings, bulb-lit marquee boards and pennants that chart

The hand bindery: marbled endpapers, calf lettered in gilt, raised bands

The sun print: brushed Prussian blue, white fern silhouettes, cotton-rag paper

The cross-stitch sampler: counted alphabets, borders and motifs on linen

The home-made cassette: J-cards, ruled track lists and one red marker

1960s air travel: a flat sky poster, wide capitals, one red and a boarding pass

Printed ephemera: playbill type, engraved frames, sepia ink and one oxblood band

Breeze-block screens, a pink door, an aqua pool and wide motel-sign capitals

A box-lid hero, a path of numbered squares, dice and tokens on a cream board

Guilloché rosettes, woven line borders and numerals in oval cartouches

A marbling film: ink drops spread, a comb pulls them into feathers, titles sit on bound books

A jet-age poster film: a swept-wing jet draws its contrail, a boarding pass prints and tears

An engraving film: guilloché rosettes spin up line by line, numbers settle in cartouches

Cross-stitch sampler cards: a worked border, a stitched alphabet and two threads on linen

1960s travel-poster cards: a climbing jet, flat sky and clouds, and a boarding-pass stub

Desert-modern cards: a flat roof, pink stucco, a breeze-block screen and a palm's shadow

Cassette J-card cards: a drawn tape, a marker title, a ruled track list and one red stroke

Trade-card ephemera: an engraved border, sepia rays, an oxblood seal and a fat-face title

Bound slides: a half-leather cover, marbled endpapers, gilt rules and Caslon claims

Certificate slides: guilloché rosettes, fine-line borders and numbers in cartouches

Game-board slides: a trail of squares with a pawn on your slide, dice, cards and tokens

Ephemera slides: fat-face claims inside engraved oxblood borders on cream card

Desert-modern slides: pink stucco, flat roofs, breeze blocks and a pool along the foot

A red masthead, a splash headline, halftone dots and one yellow EXCLUSIVE flash

A ski-resort poster: snow peaks, pine forests, a red chalet and piste-marker status

A 1930s cartoon title card, white gloves and a jar that hops on the beat

Stencils sprayed on concrete, posters pasted over posters, two cans of paint

Speckled stoneware, glaze drips that pool, celadon and tenmoku, a warm Gloock serif

Index cards and sticky notes pinned to cork, joined by red string, Kalam notes over Sen

An enamel script sign, a letter-board menu, red vinyl and a checkerboard floor

Presses grind to a stop, a front page slams in, halftone dots and one EXCLUSIVE burst

A red gondola climbs past flat peaks, pines slide by, piste markers flag each feature

A 1930s rubber-hose reel: objects bounce on the beat, an iris opens and closes

A street-art film: stencils sprayed and lifted, drips run, posters pasted in layers

Ski-resort poster cards: a red sky, snow peaks, two-tone pines and a piste marker

Stencil spray on concrete: a pink sprayed field with drips, a paste-up and tape

Studio-pottery cards: speckled stoneware, celadon drips that pool and a tenmoku test tile

1950s diner cards: red vinyl, a letter-board headline, an enamel sign, coffee and pie

Front-page slides: a red masthead box, splash headlines, halftone cuts, one flash

1930s cartoon slides: bouncy outlined objects, red rays, an iris and a film-grain gate

Studio-pottery slides: speckled stoneware, glaze drips, charts as dipped test tiles

Cork-board slides: pinned index cards, red string between ideas, notes in blue pen

1950s diner slides: checkerboard, red vinyl, letter-board lists, a script enamel sign

Chevron envelopes, invented stamps and postmarks, onionskin paper and a pen-blue hand

Twill and herringbone woven in SVG, yarn-dyed bands, selvedges and a crisp Syne

White iron glazing bars, arched panes, palms behind glass and terracotta pots

A striped sun, a curling wave, board-shaped cards and planks in faded teal and orange

Greetings-from big letters full of scenery, deckled cards on linen, stamps and postmarks

Paper planes that stand up from the fold, pull-tabs and bright card stock

An airmail film: the envelope slides in, a stamp lands, a postmark cancels it

A glasshouse film: iron bars draw the house, sun crosses the panes, leaves unfurl

A 1960s surf film: the sun rises, a wave curls and breaks, a board slides through

Woven bands of twill and herringbone, a selvedge, a knotted fringe and a crisp grotesque

1960s surf posters: lettered headlines with a hard drop, a quiver of painted longboards

Greetings-from postcards: block letters full of scenery, a brush script, a deckled edge

Glasshouse cards: a white iron arch, leafy panes, terracotta pots and a refined serif

Letter slides: chevron borders, invented stamps and postmarks, onionskin blue, a pen hand

Postcard slides: “Greetings from” scenery letters, message backs, stamps, deckled edges

Pop-up book slides: paper planes stand up from the fold, pull-tabs, bright paper

Banked-track curves, lane lines, invented jersey stripes and a heavy italic for every lap

Honeycomb hex grids, honey amber on beeswax cream, drawn bees and frames, a warm serif

Checkered board grids, drawn pieces, algebraic notation and clocks in ivory and ebony

Two-colour printing, numbered figures, labelled diagrams and exercise boxes

Tooled tan leather, oxblood straps, saddle stitches and brass rivets drawn in SVG

Pointed-pen script on ruled guide lines, ink blue on cream laid paper, one wax seal

A track-cycling film: the straight streams by, laps tick over, splits flash in red

Beeswax cream, a drawn hive frame of amber comb, working bees and a honey hexagon tag

Two-colour textbook pages: a labelled diagram, a Fig. caption, a boxed exercise

Tooled-leather cards: tan hide, saddle stitching, basketweave, brass rivets, oxblood

Pointed-pen script on ruled guide lines, ink blue on cream laid paper, a wax seal

Track-cycling slides: banked turns, lane lines, lap boards and fast italic claims

Chess-book slides: ivory and ebony, drawn pieces, algebraic notation, one claret move

Two-colour textbook slides: numbered figures, labelled diagrams, worked examples

Copperplate slides: pointed-pen script on guide lines, ink-blue on laid paper, a wax seal

Burnt parchment, inked islands and a dotted trail to a wax-red X

Maple lanes, a rack of pins and score sheets where every frame adds up

Round machine doors, coin slots and numbered tickets in mint, butter and enamel

A parchment map unrolls, an inked trail walks island to island, a red X lands

A ball rolls down the maple lane, the pins scatter, the score sheet fills

Mint and butter machines, a coin in the slot, a drum that tumbles, tickets that print

Burnt parchment, inked islands and a dotted trail that walks your deck to the X

Maple-lane slides where strikes, spares and open frames keep an honest score

Mint tiles, butter machines and round doors that frame every point

A cork-board film: cards pin in, sticky notes slap on, red string draws pin to pin

A 1950s diner film: the letter board fills, coffee pours, the sign's lamp flicks on

Squiggles, zigzags and dots pop in on the beat; cards land on pastel blocks

Star-and-cross tiles set into the wall one by one, and a horseshoe arch holds every claim

The sun rises behind the mesas, light crosses the strata and a dusty trail draws in

A flat roof line, breeze blocks sliding across pink stucco, a palm's shadow and the pool

A pop-up book that opens, stands up layer by layer and lifts every feature by its tab

Guide lines rule themselves, a pointed nib writes each title, a wax seal presses once

Tulips, birds and hearts paint on stroke by stroke, then unfold as their own mirror

An open pop-up book: bright paper planes standing up from the fold, and a pull-tab

A mint tiled wall, an enamel washer with laundry tumbling, and a butter ticket

A maple lane in perspective, a rack of pins and a score sheet with a cherry X

A real position in ivory and ebony, drawn pieces and the last move in green

A banked bend with its lane lines in order, leaning italics and a navy lap board

A bevelled 90s window on a teal desktop: navy title bar, dialog buttons, pixel icons

Pure black and white: dithered tones, a bitmap display plate, 1px rules, pixel icons

Wood type pressed into cotton stock, two spot inks, crop marks and printer's flowers

A cork board with a pinned index card, sticky notes and red string between pins

Twenty three-second hooks that stop a muted feed — punch, strike, tear, collapse, land.

Twenty AI-product beats — prompts sent, plans ticked, diffs applied, approvals given

Twenty type-only title moves — letters fall, words stretch, titles split, then hold

Twenty joins that carry the story to its next beat — wipe, iris, flap, curl, dive

Twenty proof beats — quotes, ratings, results — each with its source, samples stamped

Twenty teaching moves — steps, branches, tables, flips, loops — that make an idea click

Outlined candy windows with hard shadows, one-pixel corners and pixel sprites